Thursday, February 29, 2024

How Do You Protect Works on Paper? An Informal Materials Test

 In December of 2022, I decided to run a test to determine a couple of things:

  1. How lightfast (resistant to fading or changing caused by light) are my most commonly used collage materials?

  2. How well-protected are these materials by my usual framing methods (UV resistant plexiglass)?

  3. Should I incorporate UV protective spray for additional protection? 


Works on paper can be delicate and susceptible to changes caused by light exposure. I also use a lot of fluorescent colors in my work, and even with protection, fluorescent pigments change over time. I had recently discovered Lascaux UV Protect spray, and I was excited that it could further preserve my work in addition to the UV resistant plexiglass I already include in my frames. 


Initially, I planned just to treat some scraps with the Lascaux spray and leave them in a bright window for a while, but after thinking more about it, I decided to run several tests:


  1. A full sun control collage- no UV resistant spray or plexi

  2. A fully protected collage- treated with both UV resistant spray and covered by UV resistant plexiglass

  3. Collage treated with UV resistant spray (no plexi)

  4. Collage covered by UV resistant plexi (no spray)

  5. No sun control collage- kept in a cigar box in a flat file drawer


I ran the exposure test from December of 2022 through December of 2023, with all collages placed in a window that received southeast sun exposure for at least 4 hours each day of an average Virginia year (usual amounts of sun/cloudiness).


Here are the materials I used: 


  1. Liquitex Acrylic Ink (quinacridone magenta)

  2. Aleene’s Acid Free Tacky glue

  3. Lascaux UV Protect spray (matte)

  4. Micron Pigma Liner (black)

  5. Micron Pigma Liner (rose)

  6. Micron Pigma Liner (violet)

  7. Holbein Acryla Gouache paint (lilac)

  8. Holbein Acryla Gouache paint (luminous lemon)

  9. Holbein Acryla Gouache paint (opera)

  10. Holbein Acryla Gouache paint (luminous orange)

  11. Holbein Acryla Gouache paint (luminous red)

  12. Holbein Acryla Gouache paint (luminous green)

  13. Derwent graphite pencil

  14. Utrecht Watercolor (alizarin crimson)

  15. Talons Gouache (intense black)

16-28. Prismacolor colored pencils (left column, top to bottom) parma violet, chartreuse, yellow
            chartreuse, lemon yellow, spanish orange, non-photo blue, limepeel, process red

            (right column, top to bottom) lilac, lavender, light aqua, hot pink, yellow orange

***Paper used for all tests is Canson XL Bristol paper.*** 


Here are the test collages after their year of exposure:


No sun exposure (left) vs. Full sun exposure (right)


UV resistant plexi (left) vs. UV resistant spray (right)


No sun exposure (left) vs. UV resistant plexi with UV resistant spray (right)


Predictions:


  • Micron pen areas will come out the best (least fading). Prismacolor pencil swatches will be second best. Regular graphite will also do well.

  • Best result will be the collage protected by UV spray and UV resistant plexiglass, right?


Observations:


  • I was surprised by the amount of fading in the bottom row of colored pencil swatches, especially in the lilac and lavender colors. 

  • Gouache and watercolor that were applied opaquely did well. Pigments applied as a wash faded A LOT, regardless of their level of UV protection (best shown by the red rectangle placed in the bottom left corner of all of the collages).

  • The Lascaux spray didn’t seem to provide any extra protection (when compared head to head vs. the UV resistant plexi), AND it created a hazy cast on the black Micron areas of collages (you can see this in the black and white striped pieces near the middle of each collage) and also on the bottom right burgundy rectangles (mixture of watercolor and black gouache). Could this be the result of the matte finish? There are also semi-matte and gloss versions available. Is the one I got just funky? Based on this experience, I would not recommend it, but online reviews seem positive.

  • BEST outcome (besides no sun exposure): collage protected by UV resistant plexiglass, for the win! It had some fading, but not fading along with hazy areas caused by the Lascaux spray. 


It is good to see real proof that UV resistant plexi is protective of the types of materials I usually use. Going forward, I will continue to include it in frames, and I will also try to avoid washy/thin areas of pigment.


Of course, the best protection for works on paper is always to keep them away from sunlight and fluorescent lighting.


Do you have any best practices for protecting works on paper? Have you had a better experience with UV protective spray? Please feel free to share in the comments.


Sunday, February 11, 2024

What Sustained Me in 2023


When Lauren first suggested that we write a post about ‘What Sustained Us in 2023’, my first reaction was to think that for me, 2023 was not a year in which I needed a lot of sustaining. Certainly not compared to the last several years, where I depended heavily on my cat, texting my friends, lots of time outdoors, obsessive knitting, my studio, and quality time with my family to get me through the twin demons of monotony and uncertainty that characterized the Covid years. 


In contrast, 2023 seemed like a year in which lots of chickens came home to roost. Many, many wishes, projects, and schemes (many of which I’d been dreaming about for decades and took years worth of work) came to fruition in 2023. Most significantly for me professionally, I earned a year-long Sabbatical from my teaching job, and a solo exhibition; my first in the DC area where I live. Both of these have looming deadlines in August, 2024. My family and I also took advantage of the relative flexibility of Sabbatical schedule to travel around Europe for 6 weeks. My husband took time off work, we homeschooled our third-grader (with the support of his school), and tried our best to take in every museum, park, and cultural experience available along our route. 






So while, yes, I do feel a tremendous amount of gratitude and pride for all the planning, hard work, support, and luck that went into achieving these long hoped-for goals, 2023 for me was characterized by a deep desire to not blow it. And since the academic year re-starts in August, the fun continues. 




I’m loving it - it’s exhilarating, and I’m constantly pinching myself thinking, ‘Do I really get to do all this?’, but at the same time, the pace feels unreasonable long-term. I have been sustained by the joy, gratitude, and satisfaction that these opportunities have brought, and also by the knowledge that there’s an end-date. When September 1st 2024 rolls around, I hope I’ll be able to look back on this period with the satisfaction of a job well done. 

Saturday, February 3, 2024

Time Capsule for 2023: A Reflection in Images, Music and Words

I can't help it. I will always choose authenticity over clarity. Whether it's a gift or a curse, who knows? I'm currently withholding judgement. 
 
I've spent the first twelfth of 2024 trying to write succinctly about 2023. Hemming and hawing, I have approached my subject from various angles, to no real avail. Each perspective inevitably opens up into a larger network, full of wormholes and dérives, becoming big and cumbersome, difficult to describe or contain. I don't want to neatly summarize the year. And even if I did, I can't.

So here is a glimpse into my 2023 in images, music and some words, too. Many of the words here are pulled from snippets of my own writing throughout the year, from emails, morning pages, and the many unhinged musings on my notes app (affectionately dubbed Lauren's Deep Thoughtz).  Other people's writing is included, too--bits that were particularly impactful. A time capsule may be the wrong way to categorize this. An interactive mind map or choose-your-own-adventure may be more accurate. Many of the images also link elsewhere, so go ahead and get a little lost.
 
 As ever. Onward.               


 

Anyhow, in this interview on On Being from 2021, Krista Tippet brings up the relationship between the word "humus" and "human" and "humor". I haven't dug into it yet (haha, accidental pun!!) but I think that humility must come from the same root word for "groundedness". The other interview with Simard, was this one, from just recently https://freakonomics.com/podcast/how-smart-is-a-forest/


 "Let us return, then, as we do in times of grief, for the sake of pleasure, but mostly for the need for relief, to art. Or whatever. To music, to poetry, to paintings and installations, to TV and the movies." --Ling Ma, Severance   

 

I'm a painter, but, in my mind, music is the art form most capable of compressing time and space.  Suspended in the nostalgic formaldehyde of music, time's forward march bends into an infinite, spiralic pretzel. If we can find that sweet spot in the music, we can hover for a minute in between past and present, adjacent and tense, almost (but not) touching


F*ck the Reaper

 


Our life is part folly, part wisdom. Whoever writes about it only reverently and according to the rules leaves out more than half of it.
-Montaigne



Mood Ring 



I had some synchronicity this week with the U-shaped happiness curve. Have you all heard of this? I first heard of it on this Next Big Idea podcast with Anna Sale that I listened to maybe 2 weeks ago. Then on Thursday, Shannon Stratton (not sure if y'all follow her--she's a Canadian artist and curator that used to run three walls in Chicago) posted about this same U-shaped curve in this IG post. This part really struck me:

"But in actuality, I have found the opposite to be true. Instead of foundational confidence, I find myself questioning everything about the self I thought I was and knew. I am reconsidering everything, mutating as I go.

James Hollis who writes powerfully about middle age, said: “If our work or life does not support our soul, then the soul will extract its butcher’s bill elsewhere.” In reading Hollis, Jung and other texts on mid-life, I am compelled by the idea that middle-age is when we begin living for ourselves. In other words, we finally shed those parts that were acting for our parents or others whose influence on our life had the effect of defining our paths. This inflection point – mid-life – is when we might emerge from the ash in our final form. If we are not living our values or purpose or expressing our passion in meaningful ways, we are living someone else’s purpose. I would imagine some of us discover more clarity around purpose as we do the research of living, our specific purpose evolving and changing with time and experience."


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

I was first introduced to Bandsplain in early 2023, February or March. That said, I didn't really get into listening regularly until summer, in late June. So, in December, when my Spotify Wrapped let me know that I was in the top 1% of listeners, I was slightly scared but mostly impressed with myself. What can I say? My second favorite podcast is The Astrology Podcast, so I think that we can all agree that I like 3-4 hour long deep dives into various subjects. Here are a few of my favorite episodes, in no particular order:


















What is required is a theatre without spectators, where those in attendance learn from as opposed to being seduced by images; where they become active participants as opposed to passive voyeurs.
Jacques Rancière, The Emancipated Spectator



I got the blues
What came first--the music or the misery? Did I listen to the music because I was miserable? Or was I miserable because I listened to the music? high fidelity pg 25
 

Today, we'll begin with a quote from Sanford Biggers, found in the book "Academie X: Lessons in Art and Life", page 33:

"To succeed and survive as an artist, one must develop serious perseverance, strength of character, an unshakable work ethic and confidence. Artistic trends, attitudes and appreciation change frequently, so you must be able to see beyond the successes and failures you experience. Understanding where you are in relationship to other artists is useful; however, do not allow it to turn into envy or self-doubt. When I was beginning I was advised by a mentor: 'Only be an artist for the love of art and the act of creation. Nothing else is promised.' Accolades, fame and fortune may come and go, and that's only if you're lucky."







On the run from Johnny law. ain't no trip to Cleveland 
Dignan, Bottle Rocket













"...talk hard. I like that. I like the idea that a voice can just go somewhere uninvited and just kinda hang out...a dirty thought in a nice clean mind...."
pump up the volume


I've been making playlists as artist dates



 





Hildegard of Bingen Composes the Cosmos
by Alex Ross

strike a bat gently
 
"If someone has jaundice, strike a bat gently, so it does not die." Hildegard, new yorker

"The blurring of meaning into sound has the effect of pulling language into the nocturnal landscape of music, where, in Hildegard's view, ultimate truth resided".

the strongbox of the ancient heart

"These are the earmarks of an ambitious composer who is pushing the limits of the singable".

"here is the essence of the art of composing: the ability to conceive music in architectural terms, as a shaping of sound through time".

footloose and pump up the volume 80s 90s teenage rebellion, dance and music
"music is the language of god; only the devil would seek to forbid it"



Attitude



 
Notes for today:

"Time may change me.
But I can't trace time."
--David Bowie, Changes

 “I get very hyper in schools because I feel like I have so much to say. Painters in art colleges are so anxious. They don’t know it’s OK just to paint. Because ‘just painting’ is not nothing. It’s huge and hard just to paint, just to be free.”
--Elizabeth Peyton, Elizabeth
Peyton:The exceptional portrait painter, The Gentlewoman.co uk, 2013

Elizabeth Peyton
The Dorchester, 1972 (David Bowie), 2002, colored pencil on paper, 8 5/8 x 6 in., from Vitamin D: New Perspectives in Drawing

"I listen to music all of the time. It is a huge inspiration to me. There is emotion in it that is immediate and transcendently human but at the same time not always literal. Mostly I listen to music in the studio - sometimes the same song or CD for days and days. When I have people over for a sitting I like to put on a band or musician I can have on for hours so the mood is continuous. Usually this turns out to be David Bowie or Bob Dylan or in the last year, the Ring."
from Elizabeth Peyton's Mood Music, phaidon.com




Dylan af

Sorry 💔 Punks
birthday jamz


Montaigne's birth chart
February 28, 1533 approx. 11:30 am






As you and I both know, there is no perfect reflection. Memory warps and wavers. I remember the excitement, the joys and tragedies. The banal, repetitive daily tasks, the little moments of nothing are lost in the shuffle between extremes. The tragic events towards the end of the year feel close and sour the whole. I can hardly recall anything of the early months. When I reflect on the year in my mind, I envision a massive hairball of sensations. 
 

 

Dunk'n Dine, Atlanta,1998
Thinking of you

 



Oprah liked it and so did I. Some reviewers complained that it was too long (I'm looking at you, New York Times), but I wholeheartedly disagree. In fact, I will be waiting, not very patiently, for Nathan Hill's next 600 page novel, even if it is another six years in the making. Highly recommend for those that are middle-aged, those that have ever been middle-aged and those that will one day be middle-aged.

 

"And the story I heard was that sometimes---rarely, but sometimes---your soul encounters other souls out on their own journeys. And so when you meet someone in real life who feels really familiar to you, who feels just, bam, instantly recognizable, it's because your souls have already met, at night."

--Wellness, page 122


The Art of Collage at Second Street Gallery

I have shared thoughts both about success and about rejection from juried shows , so I thought it would be fitting to share images from a r...